Jorge Luis Borges and the Arabian Nights

Borges in his study

351—352 The rich man who lost and then regained his money


From an earlier recap, where I tried to stick a pin in a certain structural style shared by many of the stories in The Arabian Nights:

Almost all of them include some kind of surprise: A twist in the tale, a moment of irony, or some clever thinking … [an] out-of-the-box moment

I might also have quoted Adam Roberts, who, in comparing the structure of science fiction to that of a joke, writes that

The structure of a joke is a knight’s move: it leads you along a particular narrative trajectory only to finish with a conjurer’s flourish of the unexpected.

Before reading The Arabian Nights I would also have used the word ‘Borgesian.’ The short stories of the Argentine writer Jorge Luis Borges (1899-1986) often exhibit precisely the quirky quality I am trying to describe. But of course these tales I am reading pre-date Borges by hundreds of years, so it is certainly more accurate to say that one can perceive the blueprints for his stories in The Arabian Nights. Continue reading “Jorge Luis Borges and the Arabian Nights”

Nights 338 to 386: Hustles, Horses and Homosexuals

The Ebony Horse by HJ Ford

338—340 Harun al-Rashid, the slave girl and Abu Nuwas • 340—341 The man who stole the dog’s gold bowl • 341—342 The wali and the clever thief in Alexandria • 342—344 Al-Malik and his three walis • 344—345 The money-changer and the thief • 345—346 The wali of Qus and the trickster • 346—347 Ibrahim ibn al-Mahdi and the merchant • 347—348 The woman who gave alms to a poor man • 348—349 The pious Israelite • 349—351 Abu’l-Hassan al-Ziyadi and the man from Khurasan • 351 The poor man and his friends • 351—352 The rich man who lost and then regained his money • 352—353 The caliph al-Mutawakkil and the slave girl Mahbuba • 353—355 Wardan the butcher, the woman and the bear • 355—357 The princess and the ape • 357—371 The ebony horse • 371—381 Uns al-Wujud and al-Ward fi’l-Akmam • 381—383 Abu Nuwas and the three boys • 383 Abd Allah ibn Ma’mar al-Taimi, the Basran and the slave girl • 383—384 The ‘Udhri lovers • 384 The vizier of Yemen and his younger brother • 384—385 The lovers in the school • 385 Al-Mutalammis and his wife Umaima • 385—386 Harun al-Rashid and the Lady Zubaida in the pool • 386 Harun al-Rashid and the three poets


The Arabian Nights is often described as a ‘sea of stories’ and as the frequency of shorter tales increases in this section, that certainly feels apt. Thankfully, they do seem to share certain themes, which keeps the reader afloat.

The first such common thread is The Hustle: stories of con-men and marks. There is a clever thief who manages to steal the same bag of money twice. There are two notaries who manage to foil a qadi intent on exposing their debauchery. And there are a couple of stories of men who fall for the classic con-man trick: persuaded to pay for something valuable at a bargain price, only to find out later that what they have bought was not silver but tin. Continue reading “Nights 338 to 386: Hustles, Horses and Homosexuals”

Sunday Images: Frank Brangwyn

This week: Sir Frank Brangwyn (1867 – 1956), an Anglo-Welsh artist.

Nights 294 to 338: Rise and Fall

Kill Barsum

294—296 Ali the Persian • 296—297 Harun al-Rashid, the slave girl and Abu Yusuf • 297—299 Khalid ibn Abd Allah al-Qushairi and the lover who confessed to theft • 299 The generosity of Ja far the Barmecide to the bean seller • 299—305 Abu Muhammad the sluggard • 305—306 The generosity of Yahya ibn Khalid to Mansur • 306—307 The generosity of Yahya to the forger • 307—308 The caliph al-Ma’mun and the scholar • 308—327 ‘Ali Shar and Zumurrud • 327—334 Harun al-Rashid and Ali ibn Mansur • 328—334 The story of Jubair ibn ‘Umair al-Shaibani and Budur • 334—338 The story of al-Ma’mun, the Yemeni and the six slave girls


The peril of reading The Arabian Nights in three volumes is that there is a chance to drop the context between books. The reading I set for myself in the past two of weeks was made up of the Ali Baba ‘orphan story’, the long tale of ‘Ali’ al-Din, and a few shorter stories. In my previous post, I called out those brief pieces as being very different from the rest of the collection. But a quick look at the contents of Volume II reveals that these shorter tales are actually the rule and not the exception. The tales of Hatim of Tayy and the rest that appear at the end of Volume I should really be recapped along with the night-sized stories of Harun al-Rashid and his courtiers that appear in this sequence.

When recapping Nights 249 to 294, I wrote about the idea of destiny in The Arabian Nights. Then, I was talking about the literary destiny of the characters. But when the people in a story are historical figures like al-Rashid, then their actual destiny becomes significant and casts a shadow over the reading of the story. Continue reading “Nights 294 to 338: Rise and Fall”

Ali Baba and the Forty Thieves

The story of ‘Ali Baba and the Forty Thieves’ does not appear in the Calcutta II text. However, since it is one of the more famous tales from The Arabian Nights as popularised by Antoine Gallard, Penguin Classics have seen fit to include it too, at the end of Volume I.

Since there is no extant Arabic text for the story, the version presented here is a rendering of Gallard’s French tale, translated by Ursula Lyons (a distinguished academic who happens to be married to Malcolm Lyons). Continue reading “Ali Baba and the Forty Thieves”

Sunday Images: Rene Bull

Illustration by Rene Bull

Despite the French-sounding first name, René Bull (1872-1942) was Irish. He illustrated a 1912 edition of The Arabian Nights, published by Constable.

Nights 249 to 294: The Protagonist’s Shield of Indestructibility

Street Market, Tangiers, by Frank Brangwyn

249—270 ‘Ala’ al-Din Abu’l-Shamat • 270—271 Hatim of Tayy • 271—272 Ma’n ibn Za’ida • 272—273 The city of Labtit 888 • 273 Hisham ibn ‘Abd al-Malik and the young Bedouin • 273—276 Ibrahim ibn al-Mahdi • 276—279 Abd Allah ibn Abi Qilaba and Iram, City of the Columns • 279—282 Ishaq ibn al-Mausili • 282—285 The slaughterhouse cleaner and the lady • 285—294 Harun al-Rashid and ‘the second caliph’


This week The Arabian Nights presents us with another long adventure—the tale of ‘Ala’ al-Din Abu’-Shamat—followed by some shorter tales.

‘Ala’s story begins in Cairo. His father, Shams al-Din, is the ‘syndic’ (representative) of the market traders, and is dissatisfied with his lack of children. While his colleagues sit at their stalls with their sons, he is alone. Shams complains about this to his wife in deeply sexist terms (“… you are barren, and marriage to you is like chiselling rock”) and one expects this to be used as an excuse to add a new wife to his household.

But in a refreshing avoidance of the usual submissive representation of wives in The Arabian Nights, Shams al-Din’s other half calls him out on this nonsense. “Your sperm is watery” she retorts. Continue reading “Nights 249 to 294: The Protagonist’s Shield of Indestructibility”

Nights 170 to 249: Men Going Their Own Way

Qamar al-Zaman chases the bird - HJ Ford

170—249 The story of King Shahriman and his son, Qamar al-Zaman • 237—246 The story of Ni’ma ibn al-Rabi’ and Nu’m


Now here’s a story we can all care about: the patriarchy is under threat. Poor Shahriman has no son! What can he possibly do?

It turns out that the easiest and most effective fertility treatment is simply to perform the ritual ablution and two rak’as (prayers) before making love to one’s wife, and she is guaranteed to conceive. Why didn’t he try that before?

The child, fair as a full moon, is Qamar al-Zaman, who is brought up in “cosseted luxury.” The king, delighted to have an heir, cannot bear to be away from his offspring, and he ensures that they are never parted, by night or by day.

Having waited so long for a son, one might forgive the king his rather over-zealous parenting style. But it does, unfortunately, reap its own reward when Qamar comes of age, and refuses to marry.

Continue reading “Nights 170 to 249: Men Going Their Own Way”

Sunday Images: Virginia Frances Sterret

Virginia Frances Sterret

This week: Virginia Frances Sterret (1900–1931).

Her achievement was beauty, a delicate, fantastic beauty, created with brush and pencil. Almost unschooled in art, her life spent in prosaic places of the West and Middle West, she made pictures of haunting loveliness, suggesting Oriental lands she never saw and magical realms no one ever knew except in the dreams of childhood … Perhaps it was the hardships of her own life that gave the young artist’s work its fanciful quality. In the imaginative scenes she set down on paper she must have escaped from the harsh actualities of existence.