19—24 Harun al-Rashid and the fisherman’s chest • 19—24 The story of the young man and the three apples • 20—24 The story of Nur al-Din and Shams al-Din • 24—34 The hunchback • 25—26 The Christian’s story • 27—28 The inspector’s story • 28—29 The Jewish doctor’s story • 29—34 The tailor’s story • 31—34 The story of the barber • 31 The story of the barber’s first brother • 31—32 The story of the barber’s second brother • 32 The story of the barber’s third brother • 32 The story of the barber’s fourth brother • 32—33 The story of the barber’s fifth brother • 33 The story of the barber’s sixth brother
As Shahrazad finds her rhythm with a set of slightly longer stories, The Arabian Nights establishes a sort of internal logic. It is a world built around and for kings, and the stories exist because of them. Most of the tales so far have ended with the king to whom it was told ordering that it be written down. It is an endorsement and an approval, and it offers an explanation for why Shahrazad has heard it and can recite it.